This work explores the relationship between chance and
evolutionary advancement. It is a kaleidoscope which is attached to a light and
simple motor mechanism that can be projected onto a wall. Inside the kaleidoscope,
the small shapes which are projected onto the wall form an abstract, beautiful
pattern which resembles genetic codes and atom clusters.
The projection is a visual representation of the evolution
of living creatures and the vast possibilities that could await mankind in the
future. It also explores the idea of human genetics, the beauty of the
individual and the potential for evolution. No genetic makeup is ever the same
as we are constantly evolving and it is impossible to predict the exact course of
this development.
Though we as humans constantly try to predict what may be waiting
for us in the future, we can never be certain. Take, for example, the kitsch illustrations
of the future which were so prevalent during the 1950s. They predicted a world
of metallic, hovering manmade contraptions and scenes with hardly an organic
element in sight. Although some present day architects and designers reference
these images in modern structures, it is evident that their vision of the
future was somewhat overzealous in comparison to the reality of today.
The kaleidoscope explores this idea by presenting us with
ever changing designs which can never be repeated and are always unique
patterns. As the viewer, we cannot predict the way the shapes will fall. Will
the atom clusters fall in such a way that the very genetic structure of mankind
is altered? Is it possible to imagine a world where humans have evolved past
such concepts as gender and race?
The project represents the amalgamation of genes and atoms
to produce a stronger, more capable creature which will, in turn, be a more equipped
survivor.
